The compact D2RX receiver sports an impressive 103 dB dynamic range and conveniently attaches to your camera's shoe mount to receive wireless audio from the transmitter.

The receiver is dual-channel, allowing you to use it with two transmitters simultaneously and record two on-camera personalities. Two TRS mono balanced or stereo unbalanced outputs are supplied to connect to your camera's inputs for recording.

A USB-C port on the receiver outputs digital audio, great for use with a phone or mobile device.

Power is supplied by two AA batteries. A pair of Lithium batteries will power the receiver for over 8 hours.

One of the standout features of the Theos Wireless System is its full-color LCD screen, which displays the status of the device. This screen makes it easy to monitor the system's performance, ensuring that you always have a clear view of your audio levels, battery life, and other critical information. This feature is especially useful for filmmakers who need to work in various locations and lighting conditions.

Both the DBTX and D2RX are made out of 2 blocks of CNC milled Aluminum.

Both the DBTX and D2RX come with SMA antenna ports, which allow you to swap out antennas to fine-tune your frequency or replace them if they get damaged. This feature makes transporting your gear more compact in its case, which is especially useful when working on location.

Theos Digital Wireless is capable of getting up to 14Hrs of battery life when paired with the 3000mAh Deity AA battery.

The D2RX and DBTX are able to be externally powered via their USB-C ports.

The app allows you to perform frequency scanning and frequency assignment, frequency coordination between multiple receivers, gain staging, and remote triggering of the backup recorder. This means you can make adjustments to your audio settings without having to physically touch the device, making it easier to work with when you're on set.

The remote control feature is especially useful for filmmakers who need to work with multiple devices or those who need to make adjustments to their audio settings quickly. It saves time, and it ensures that you never miss a critical moment on set.